Words by Bob Grumman
73 words contributed
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nuhl AH suh fuhrn. one believing himself to be a verosopher but too
incompetent mentally to be that.09/10/2009 -
n. , a work of poetry making aesthetically significant use of
visual elements that interact with its textual elements09/10/2009 -
noun, a work of visual art making aesthetically significant
asemic use of textual elements (as opposed to Visual)09/10/2009 -
foh BAH suh feen. hatred of verosophy,09/10/2009
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vair AH suh fuhrn. one who practices versosophy, a serious seeker of
systematic truth09/10/2009 -
an agent of large-scale cultural abberation
rec'd August 14, 2005 -
(ehsth SIH pe ehnt)n. One who experiences or partakes of a work of art: a reader/
viewer but also a listener at times or some other kind of sensory
interactor with art.Origin: [From "aesthetics" and "recipient."][ rec'd October 22, 1989] -
(aal' fuh kun CEP shoo ul)adj. pertaining to that which results in a literary work when the
spelling of a word or near-word, or a group of words or near-words
(in letters, but other symbols such as numerals or punctuation
marks as well), coupled with its verbal meaning, produces a
metaphor of central importance to the work it is in.Origin: [From "alphabetical" and "conceptual."][ rec'd October 22, 1989] -
(aan' thro sep' show AA lih tee)n. In Grumman's psychology that awareness, or part of the over-
all consciousness, which has to do with social sensations. The
basis of one's ability to empathize with others. [From "anthro"
("generic man") and "ceptuality," the latter of which seems to derive
from the Latin for "withdraw," in the sense of "take from."]
Origin: [rec'd October 22, 1989] -
(aap' pruh sep' shoo AA lih tee)n. In Grumman's psychology that awareness, or part of the over-
all consciousness, which has to do with one's sensation of pain
and pleasure, or one's "appreciation" thereof. It is the basis of the
moral awareness.
Origin: From "appreciate" and "ceptuality." rec'd October 22, 1989 -
(bee hayv' ruh sep' shoo AA lih tee)n. In Grumman's psychology that awareness, or part of the over-all
consciousness, which has to do with one's sensation of being in
the process of "willing" an action. One's feeling of having a will.Origin: [From "behavior" and "ceptuality."] rec'd October 22, 1989 -
maker of culturally-significant works of art, science or some other equally major cultural field; always majorignative
rec'd August 14, 2005 -
dihs' kun SEEL ment)n. A visual poetry technique by means of which small words or
near-words within larger words are knocked into view--e.g., as
when Karl Kempton puts a space in the middle of "justice" to bring
"just" and "ice" into view.
Origin: [From "dis-," "conceal" and "-ment."] [rec'd October 22, 1989] -
dis' lo KAY shun uladj. pertaining to poetry which locates a reader in an irrational,
strange new place.
Origin: [From "dys," meaning "bad," and "locational."][rec'd October 22, 1989] -
yoo' lo KAY shun uadj. pertaining to poems like Dylan Thomas's "Fern Hill" and its
boyhood where "the spellbound horses walk(ed) warm/ Out of the
whinnying green stable/ On to the fields of praise," whose aim is to
construct some ideally beautiful locus out of words, not reproduce
some ordinary locus, as an ordinary locus.Origin: [From "eu", meaning "good" and "locational."][rec'd October 22, 1989] -
What aesthetically irrelevant meanings a poem picks up because
of such matters as who composed it, where it was composed, etc.6/9/2009 -
ek sper' ih AH dih kuhn. Orginally a reference to those kinds of magazines which deal
with experimental, or odd, art but now taken to mean such art itself.
Origin: [From "experimental," "odd," "exotica," and "periodical."][rec'd October 22, 1989] -
FOUR burr dinwhat a given literary work is, in the main, explicitly aboutOrigin: < fore- + burdenforever
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fuhn' duh lo KAY shun uladj.pertaining to the work of poets like William Carlos
Williams who seem to try to represent ordinary places in the
world or mind as directly and precisely as possible, as in
William's "The Red Wheelbarrow."Origin: [From "fundamental" and "locational."][rec'd October 22, 1989] -
gruh' man NY ih kuladj. pertaining to Bob GrummanOrigin: [from "Grumman" + "maniacal"][rec'd October 22, 1989]
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hi' pur GAWR ee uhn. Art the primary ingredient of which is violence.
Origin: [From "hyper" and "gore."][rec'd October 22, 1989] -
One's private universe?12/14/2007
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ihl' luh skrihp TAY shunn. That branch of vizlature consisting of works in which verbal
elements of semantic importance but little or no visual
expressiveness are combined, but not fused, with visual elements
whose aesthetic significance is approximately equal to that of the
verbal elements'.
Origin: [From "illustration," "script," and "-ation."][rec'd October 22, 1989] -
Making aesthetically expressive use of letters, numbers, punctuation marks,
and other verbal elements smaller than words. (Even isolated, these tiny
infra-verbal symbols transmit connotative meaning. -Geof Huth)
Origin: [Geof Huth's dbqp: visualizing poetics]1/2004 -
ihn tel' lih JEN shuladj. pertaining to the intelligence as opposed to the intellect, which
is only a small part of the mind--which in turn is only a small part of
the intelligence, which includes the entire nervous system.
Origin: [rec'd October 22, 1989] -
a brain's representation, in my psychology, of a unit of knowledge (e.g., a single word in a poem, when taken at its simplest face-value meaning--as "blue," for instance, would be when considered a generic term for the color blue and not a term for the range of wave-lengths that cause a person to experience blue, and/or for all the words' emotional connotations, and/or for all one's memories of its use in poems, etc.)
rec'd August 14, 2005 -
a link between two knowlecules; used to transmit energy from one to the other, or vice versa
rec'd August 14, 2005 -
In my psychology is the brain's record of any closely related system or network of knowlecules—"blue," for example, when it does represent a range of wave-lengths, and/or what "blue" means emotionally to a person, and/or a person's memories of its use in poems, etc.
Note: What a particular "brain-record" of a datum or data is depends on the context of the datum or data: for instance, in a discussion of human organs, "brain" would be represented by a knowlecule, probably; in a discussion of the cells in a human body, it would be represented by a knowleplex. This may sound confusing—it does to me as I write this. But I believe a full explanation of my theory would make it all clear. That's for a later blog entry, though.
rec'd August 14, 2005 -
the representation (or recording) in the brain of all the data a vocational field or the like, such as literature requires
rec'd August 14, 2005 -
NON streemn., adj. A branch of art (or pertaining to a branch of art) whose
contents are familiar to the majority of the contemporaries of the
art's creators; opposed to "otherstream"--as well as to "avant
garde"--but not necessarily popular; not necessarily mainstream,
either, as an art can be familiar but comparatively ignored (e.g.,
science fiction) which would make it knownstream but not
mainstream.Origin: [From "known" and "stream," and based on "mainstream."][rec'd October 22, 1989] -
(LIH tur ent)adj. pertaining to purely verbal literature which is written or
otherwise put into a form which only literate people can decipher;
antonym: "oral." Distinguished from "written" literature in that the
latter need not be entirely verbal--can include visual poems, for
example.
Origin: [From "literary" and "literate."][rec'd October 22, 1989] -
(lo' gyum)n. a vacuum in the language; a not yet named concept or object, or
a not yet adequately named concept or object--i.e., a place in the
language which clamors for a neologism. E.g.: visual art.Origin: [Rec'd Jan 6, 1987] -
adjective modifying an individual who forms a "neo- knowleplex" which is new to the individual's culture if the knowleplex comes to be highly valued by the individual's society
rec'd August 14, 2005 -
(meh' nee war aat WUNCE)n. The state to which an effective metaphor takes one. A sense of
being in more than one place in one's mind at once.
Origin: [From "many," "anywhere" and "at once."][rec'd October 22, 1989] -
(meh' lo kun sep' shoo AA lih tee)n. pertaining to that which results in a literary work when the
pronunciation of a word or near-word, or a group of words or near-
words (in letters, but other symbols such as numerals or
punctuation marks as well), coupled with its verbal meaning,
produces a metaphor of central importance to the work it is in.
Origin: [From "melody" and "conceptual."][rec'd October 22, 1989] -
(meh' lo DA shun)n. That which results in poetry from the use of devices concerned
with the sound of words such as rhyme, meter, alliteration,
assonance, consonance.
Origin: [From "melody" and "-ation" as the latter is used in such words as "validation" (to render valid).][rec'd Oct 22, 1989] -
(meh' lo skrhp TAY shun)n. That branch of verbo-musical art consisting of works in which
verbal elements of semantic importance but little or no visual
expressiveness are combined, but not fused, with visual elements
whose aesthetic significance is approximately equal to that of the
verbal elements'.
Origin: [From "melody," "script," and "-ation."][rec'd October 22, 1989] -
(met' uh VUR bul)adj. Visual and Alphaconceptual Poetry taken together (the former
being partially vislational, the latter entirely textual, but the two
being related to each other in that each results from some
manipulation of its letters--is, in other words, subverballys
produced, or produced at the level of letters rather than at the level
of words.
Origin: [From "meta," in the sense of "along with," and "verbal."][rec'd October 22, 1989] -
(short for "micro-creative"), the creativity that results when a neo-knowleplex is a neo-knowleplex only for the individual it arises in, not for society as a whole.
rec'd August 14, 2005 -
(mih' nih TEK shool)adj. pertaining to vislational art which contains asemantic verbal
elements with no significant metaphoric effect.
Origin: [From "minimal" and "textual."][rec'd October 22, 1989] -
adjective modifying an individual who forms a "neo-knowleplex" which is new to the individual's culture if the knowleplex never comes to be highly valued by the individual's society: the gifted amateur interior decorator, or the Sunday painter of talent, for instance, but not most people, who are generally micreative person
rec'd August 14, 2005 -
(NEE mo dukt)n. A hypothetical component of the brain in Grumman's theory of
psychology in which memories--or, more exactly, switches able to
turn on appropriate brain-cells to produce a mental re-enactment
of something from the past--are stored.
Origin: [From "mnemo," from the Greek for having to do with the memory, and "duct."[rec'd October 22, 1989] -
(mah' no LIH tur ent)adj. pertaining to purely textual literature which is not
alphaconceptual and is thus literant in only one way.
Origin: [From "mono" and "literant."][rec'd October 22, 1989] -
(muhs' kluh sep' shoo AA lih tee)n. In Grumman's psychology that awareness, or part of the over-all
consciousness, which has to do with one's sensation of the state of
one's muscles, and the movements they generate. The athletic
sense. With sensriceptuality and viscraceptuality, a sub-division of
sensuality.
Origin: [From "muscle" and "ceptuality."][rec'd October 22, 1989] -
(mihs' sihn TAK tih kul)adj. pertaining to syntax which is to orthodox syntax as a
misspelling is to orthodox spelling--but with a suggestion of a
missing syntax; also a mysterious or even mystical syntax.
Origin: [From "mis-" and "syntactical."][rec'd October 22, 1989] -
a knowleculink which is new for the individual forming it
rec'd August 14, 2005 -
the knowleplex formed when a neo-knowleculink is laid down
rec'd August 14, 2005 -
NUHL lihn gwihstn. one who uses and/or defines a word in such a manner as to
render the word useless for serious truth-seeking09/10/2009 -
NUHL lihn gwihs tiksn., the belief that words should either not be defined, or
should be defined so badly as to be useless for communication09/10/2009 -
nuhl AH suh feen. pseudo-verosophy09/10/2009
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(UH thur streem')n., adj. A branch of art (or pertaining to a branch of art) whose
contents are new to the majority of the contemporaries of the art's
creators; opposed to "knownstream," but not necessarily
significantly original, for it might consist "merely" of revitalized
previously by-passed art--thus, not a synonym for "avant garde."
Origin: [From "other" and "stream," and based on "mainstream," which is also an antonym for it.][rec'd October 22, 1989] -
foh BAH suh fuhrn. one who hates versosophy sufficiently to denounce and/or
attempt to sabotage it.Extremely common among poets.
09/10/2009 -
(po et' ihk SET ur uh)n. The field of poetics plus all the incidentals connected with it,
such as the personalities and biographies of individual poets and
critics, individual poems and analyzes of them, the relation of a
given theory of poetics to a theory of esthetics, and so forth.
Origin: [From "poetics" and "et cetera."][rec'd October 22, 1989] -
(pah' lee sep' shoo AA lih tee)n. The significant use of more than one major awareness (the
major awarenesses being intellectuality, sensuality,
anthroceptuality, behavraceptuality, appreceptuality and
sagaceptuality)--for instance, to be intellectual and sensual at the
same time. RareOrigin: [From "poly" and "ceptuality."][rec'd October 22, 1989] -
(pawr' no GAWR ee uh)n. Art which has to do only with sado-masochistic sex.
Distinguished from "pornography? which is sexual but not
significantly sado-masochistic.
Origin: [From "porn" and "gore"][rec'd October 22, 1989] -
traditional visual art
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(reh' tro sep' shoo AA lih tee)n. That function of the brain having to do with storing and
retrieving of "retrocepts," the smallest units of memory; a synonym
for "memory" but a more precisely specified term that the latter.
Origin: [From "retro-" and "-ceptual," meaning, approximately (from the Latin), to take from the past.][rec'd October 22, 1989] -
(saa' guh sep' shoo AA lih tee)n. In Grumman's psychology that awareness, or part of the over-all
consciousness, which has to do with one's sense of being part of a
developing narrative. The source of the common human need to
compete in games and strive for victory, even mere abstract
victory. The reason men are such insane fans of football, baseball
and basketball, men being relatively more stricken, or blessed,
with sagaceptual needs than women.Origin: [From "saga" and "ceptuality."][rec'd October 22, 1989] -
(SKUH thur)v. to disturb a person with too great a complexity of input for him to
handle; scutherdom, the resulting state, is often mistaken for
boredom, but the latter results from a person's being superior to
what is causing the state while the former results from his being
inferior to it. Counting pass cars on a freeway, for example, will
tend to cause boredom; doing advanced calculus problems with
tend to cause scutherdom.
Origin: [From "scuttle," "clutter," "muddle" and similar words.][rec'd October 22, 1989] -
(sens' rih sep' shoo AA lih tee)n. In Grumman's psychology that awareness, or part of the over-all
consciousness, which has to do with the data coming in through
the standard five senses, touch, taste, sight, hearing and smell--as
well as the lesser senses associated with these; a sub-division of
sensuality.
Origin: [From "sensory" and "ceptuality."][rec'd October 22, 1989] -
(SLY-ur)n. Person who tells lies that, technically speaking, are
not lies, by such means as quoting out of context or
otherwise leaving out information that would show a
statement he has made to be a gross misrepresentation.
"There is no record from the only grammar school in his
hometown or any other school of his time that Shakespeare
ever spent so much as a day in one." Left out: the fact that
we have no records of attendance from his hometown school
for years before and after he would have
gone to it, or from most other schools of his time.
Origin: 8/29/200511/13/2005 -
a form of verbo-visual art in which the visual is fused with but
predominant over words; it exists in two subcategories(a) textually
ornamented vizlation, in which the textual elements are as visual
images only decorative; and (b) textually enlarged vization, in
which the textual elements are visually as well as semantically
significant.
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vair AH suh feen. serious, systematic truth-seeking--in particular, science,
history, philosophy, art criticism.09/10/2009 -
(vihs' ruh sep' shoo AA lih tee)n. In Grumman's psychology that awareness, or part of the over-all
consciousness, which has to do with one's sensation of the state of
one's viscera (e.g., blood, stomach, genitals): a subdivision of
sensuality which includes one's awareness of hunger, sexual
desire, illness, and so forth.
Origin: [From "viscera" and "ceptuality."][rec'd October 22, 1989] -
vihz ih muh Jihs tihkadjective, relating to visimagery[8:46:32 P
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vihz ih muh Jihs tihkadjective, relating to visimagery09/10/2009
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a form of verbo- visual art in which words are fused with but
predominant over the visual; it contains two subcategories (a)
visually enlarged literature, in which the visual elements are
semantically as well as visually significant, and (b) visually
ornamented literature, in which the visual elements are as
semantic matter only decorative
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vihz IH mudj ren. visual art (e.g., a painting, sculpture, photograph primarily intended to give
others aesthetic pleasure)2009 -
vihz IH mudj ihstn. , one who makes visimages.09/10/2009
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(vihz LAY shun)n. That art which is concerned primarily with visual images; one of
the three major arts, the other two being literature and music [a
condensation of "visualization" and intended to suggest
"translation" and "relation" (as in the relation of a story)]
Origin: [rec'd October 22, 1989] -
(viz' la tor)n. visual artist
Origin: [rec'd Jan 6, 1987] -
(VIHZ luh chuhr)n. The art in which the verbal and the visual are combined; verbo-
visual art.
Origin: [From "vizlation" and "literature."][rec'd October 22, 1989] -
The range of American Poetry from Wilbur to Ashbery, which academics take to be the entire range of American Poetry. Many boast of liking poems from all parts of it, expecting to be congratulated on their breadth of appreciativeness.
July 4, 2005